![]() ![]() ![]() Many well-known performers got their start as lounge singers and musicians. In any event, these lounge singers, perhaps performing in a hotel or cocktail bar, are usually accompanied by one or two other musicians, and they favor cover songs composed by others, especially pop standards, many deriving from the days of Tin Pan Alley. Lounge singers have a lengthy history stretching back to the decades of the early twentieth century. Documented pioneers of the Las Vegas lounge scene, the Mary Kaye Trio were first on the scene in the early 1950s. Such artists performed mainly at featured lounges in Las Vegas casinos. ![]() The music of Burt Bacharach was soon featured as part of many lounge singers' repertoires. Soft and gentle vocalists such as Frank Sinatra, Dean Martin, Dooley Wilson, Pat Boone, Bobby Darin, Jackie Gleason, Wayne Newton, Louis Prima, Sam Butera and Bobby Vinton are notable examples of lounge music. "Swinging" music of the era is also considered "lounge" and consisted of a schmaltzy continuation of the swing jazz era of the 1930s and 1940s, but with more of an emphasis on the vocalist. JSTOR ( August 2021) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. These instrumentals could be produced with an orchestral arrangement, or from an arrangement of instruments very similar to that found in jazz, or even rock and roll such as the Hammond organ or electric guitar. Sometimes, this music would be theme music from movies or TV shows, although such music could be produced independently from other entertainment productions. "Instead, it occupied the middle ground, appealing to fans of traditional pop as well as space age pop." Ī good deal of lounge music was pure instrumental (i.e., no main vocal part, although there could be minor vocal parts). With the advent of stereophonic technology, artists such as Esquivel used spatial audio techniques to full effect, creating whooshing sounds with his orchestra.ĪllMusic describes lounge as less "adventurous" than exotica or space age pop, but not as "watered-down" as Muzak. Another genre, space age pop, mimicked space age sound effects of the time and reflected the public interest in space exploration. Many of these recordings were portrayed as originating in exotic foreign lands, but in truth were recorded in Hollywood recording studios by veteran session musicians. Such music could have some instruments exaggerated (e.g., a Polynesian song might have an exotic percussion arrangement using bongos, and vocalists imitating wild animals). It combined music that was popular outside the United States, such as various Latin genres (e.g., bossa nova, cha-cha-cha, mambo as in Cal Tjader's fine Latin jazz efforts), polynesian, French, etc. Exotica from such artists as Les Baxter, Martin Denny and Arthur Lyman sold millions of records during its heyday. While rock and roll was generally influenced by blues and country, lounge music was derived from jazz and other musical elements borrowed from traditions around the world. The term "lounge" does not appear in textual documentation of the period, such as Billboard magazine or long playing album covers, but has been retroactively applied. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.Įxotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed "lounge". The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro- space age cultural elements. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. Lounge music is a type of easy listening music popular in the 1950s and 1960s. ![]()
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